Tania Doko and James Roche prove their pop songs grow alongside us

Bachelor Girl's Waiting for the Day: REDUX Tour 2026 at The Gov showcases Tania Doko and James Roche reimagining their late '90s pop classics with new arrangements and stripped-back moments while preserving the melodies and emotional core that defined the album. The duo prove their songs have deepened with time and lived experience, delivering moments of genuine connection and creative reinvention rather than nostalgia-driven repetition.

Rating: 5/5

Review by **[Markus Hamence](https://onyourmarkus.au/markus-hamence/)** – **Bachelor Girl: Waiting For The Day REDUX Tour 2026**. Performance date: Friday 28 August 2026. The Gov, Hindmarsh, South Australia.

![Two musicians perform on stage under purple lighting, one at a keyboard on the left and one singing centre stage in a light-coloured outfit.](https://media.onyourmarkus.au/admin/2026/08/17ab9c2e-350d-4fad-a2ee-defbcc784f98.jpg)

There are songs that remind you of a particular year, freak, all too many these days, and then there are songs that somehow carry an entire period of your life inside them. For plenty of Australians, myself included, **Bachelor Girl’s *****Buses and Trains*** belongs firmly in the second category and it's NOT budging any time soon. The moment that melody begins, somewhere in the brain a door swings open and suddenly the late ’90s don’t feel quite so far away.

But **Tania Doko and James Roche’s** return to Adelaide’s **The Gov** with their ***Waiting for the Day: REDUX Tour 2026*** wasn’t about dusting off the hits and delivering a comfortable nostalgia trip. Bachelor Girl have taken the album that launched them into Australian pop history and looked at it again through older, wiser and considerably more experienced eyes.

The original *Waiting for the Day* gave us a cracking collection of Australian pop including ***Buses and Trains, Treat Me Good, Permission to Shine*** and ***Lucky Me***, and nearly three decades later, these songs still land. The REDUX concept gives them new arrangements, electronic flourishes and stripped-back moments while holding onto the melodies and emotion that made us love them in the first place.

At the centre is **Tania Doko**, whose voice remains immediately recognisable. There’s still that wonderful clarity and distinctive tone, but time has added another layer to the lyrics. Songs written decades ago inevitably mean something different after actually living those decades, and Doko understands that beautifully. She’s warm, funny and wonderfully relaxed on stage, sharing stories and creating a genuine connection with the room.

> “Warm, nostalgic and beautifully reinvented, Bachelor Girl prove that great pop songs don’t simply survive the years - they grow alongside us.” Markus Hamence

Alongside her, **James Roche** remains the musical architecture of Bachelor Girl. His musicianship and arrangements are fundamental to the duo’s sound, and there’s an easy chemistry between the pair that comes from having shared music, success, change and a sizeable chunk of life together.

Naturally, the familiar songs create some of the biggest moments. ***Treat Me Good*** still has bite, ***Permission to Shine*** retains its emotional pull, and ***Lucky Me*** reminds us just how strong Bachelor Girl’s catalogue is beyond their biggest hit.

And then there is ***Buses and Trains***.

Some songs simply refuse to age.

Hearing it live becomes one of those brilliant communal moments where hundreds of individual memories suddenly occupy the same room. People aren’t simply hearing a song; they’re remembering people, places and versions of themselves from another time.

That’s the magic of a night like this.

What makes the REDUX tour particularly interesting, however, is Bachelor Girl’s willingness to mess with their own history. These songs aren’t treated like museum pieces. They’re rearranged, explored and allowed to breathe differently, proving Doko and Roche are still creatively curious rather than becoming a tribute act to themselves.

> “When *Buses and Trains* kicks in at The Gov, nearly three decades disappear in about three seconds - pure Australian pop nostalgia at its best.” Markus Hamence

**The Gov is the perfect room for it**, keeping the performers close enough for the stories and quieter moments to land while still allowing those huge pop melodies to fill the venue.

Ultimately, *Waiting for the Day: REDUX* acknowledges the past without getting trapped inside it. Bachelor Girl could easily play the familiar arrangements, deliver the hits and send everyone happily home. Instead, they ask something more interesting: **what do these songs mean now?**

The answer is that they still sound unmistakably like Bachelor Girl — just with considerably more life lived between the notes.

**Warm, nostalgic and beautifully reinvented, Bachelor Girl remind us that while we all change, every now and then a great song survives everything. And when *****Buses and Trains***** kicks in, nearly three decades disappear in about three seconds.**

**⭐️⭐️⭐️⭐️⭐️**

**[Follow Bachelor Girl online](https://bachelorgirl.com/)**

![Musician at keyboard and vocalist in yellow dress perform under warm stage lighting during concert.](https://media.onyourmarkus.au/admin/2026/08/9df887df-6bab-45e5-9a9e-eccdc8e2ac0d.jpg)

![Keyboard player and singer perform together on stage under red and white spotlights during a live concert.](https://media.onyourmarkus.au/admin/2026/08/4ca47def-1769-42e5-abfa-91fb3967e501.jpg)

![Three musicians posed together backstage, one wearing a baseball cap and glasses, another in a red top with dark lipstick.](https://media.onyourmarkus.au/admin/2026/08/eaf7be37-b632-4200-8750-f25d31d65c3d.jpg)

*James Roche, Tanis Doko and Markus Hamence*

![Two performers pose playfully against a white background for Bachelor Girl's Waiting For the Day Redux tour poster.](https://media.onyourmarkus.au/admin/2026/08/95777609-3003-4236-a5ab-d7dfc3b06ef0.jpg)